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・ Paloma (cocktail)
・ Paloma (name)
・ Paloma (telenovela)
・ Paloma Arranz
・ Paloma Baeza
・ Paloma Berganza
・ Paloma Bernardi
・ Paloma Blanca
・ Paloma Bloyd
・ Palnitkar
・ Palnoo
・ Palnure
・ Palnut
・ PALO
・ Palo
Palo (flamenco)
・ Palo (OLAP database)
・ Palo (religion)
・ Palo Alto (2007 film)
・ Palo Alto (2013 film)
・ Palo Alto (book)
・ Palo Alto (Caltrain station)
・ Palo Alto (disambiguation)
・ Palo Alto Airport
・ Palo Alto Art Center
・ Palo Alto Battlefield National Historical Park
・ Palo Alto Baylands Nature Preserve
・ Palo Alto Chamber Orchestra
・ Palo Alto Chinese School
・ Palo Alto College


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Palo (flamenco) : ウィキペディア英語版
Palo (flamenco)
A ''palo'' ((:ˈpalo)) or cante is the name traditionally given in the flamenco environment for the different musical forms that constitute the traditional musical heritage of flamenco. Each ''palo'' is characterized by a variety of musical features such as its rhythmic pattern, its mode, its characteristic motifs, or the type of stanza used for the lyrics, and comprises a series of traditional melodies or songs, generally called ''estilos'' (styles) in the flamenco jargon. The meaning of ''estilo'' here has nothing to do with the general meaning of "style" as a series of characteristics that define a musical period, a trend, a genre, or the particular manner of an artist: it refers to a particular composition or song which was created in the past, either anonymously or attributed to a particular singer, and was developed by generations of singers. Any newly composed, non-traditional songs or compositions following the general form of the ''palo'' are also usually called by the name ''palo''.
The word ''palo'', in Spanish, has several meanings, the main one being "stick", "bar", "pole" or "rod", but in this case it has the sense of "suit of cards". Therefore, it has a metaphorical use meaning category or classification.
== Identifying palos ==
The concept of ''palo'' must not be understood as a rigorous musicological category. It is rather a popular, sometimes inconsistent way of classifying songs according to similar characteristics. For example, to determine that a song belongs to the ''palo'' called Bulerías, only the rhythm is taken into consideration, no matter its mode or stanza. Fandangos, on the other hand, include a variety of forms in 3/4 or 6/8, but later it developed "free" forms (that is, with no determined rhythm). Most ''palos'' include dozens of traditional songs, while others like the serrana include only one song. Another interesting example is that of the polo and the caña: they are almost identical and should in fact be classified as variations of the same song, but tradition has classified them as different palos.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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